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Shooting RAW on the Canon C700 FF is not a decision to be taken lightly - it will incur tremendous data-storage costs, and complicates your post production workflow. The lighting and the grade are harsh, but her face still feels grounded and true to life. Cannon c 700 commercial full color machine skin#The icy tinge of the blue is easily preserved in the grade, while the skin lands just about where you want it to - it hasn’t shifted magenta, it doesn’t feel yellow-ish. This is truly a demonstration of the C700 FF’s superb handling of colors. The last image I want to highlight is this shot of Sarah standing under the extreme blue lights. That said, you can also move straight to a program like DaVinci Resolve if you prefer. Within Canon Cinema RAW Development, your RAW footage can be debayered and exported in any of the three variations of Canon log. Cannon c 700 commercial full color machine software#There are many options available to you, but it should come as no surprise that Canon recommends their own software as the best solution for debayering the raw files, proxy creation, and even first–pass color correction. For those of us that shot RAW, however, we will likely be evaluating different options for debayering. Having shot all of your footage, you can now begin the post production process! If you have shot ProRes or XF-AVC, you can import directly to just about any grading for editing platform available today. The pixel-averaging algorithm will be able to draw on the surrounding "true" colors, and in doing so average out some of the chroma noise. And just to top it all off, finishing in 4K but recording a 5.9K image ( read more about how) on the C700 FF will minimize noise even further. Cannon c 700 commercial full color machine iso#Some call the resulting grid-like noise pattern the “screen door effect.” An analog increase in ISO will still generate noise, of course, but that noise will be much more scattered and random because it is organic, electrical, and evenly distributed across the sensor. Those help too.ĭigital ISO increases have a nasty habit of creating blocking and banding, as they push the already-captured image beyond its comfort zone and reveal its weak spots in the shadows of the image. ![]() This is because these ISOs are created purely with analog voltage across the sensor. For example, when shooting with the C700 FF, throughout the camera’s whole range, you will want to stick to multiples of 800. The first is to simply pay attention to which ISO you choose. Whether you choose to shoot RAW or not, there are a few other things you can do to maximize your results in any lighting scenarios you might come across. ![]() And while colors may begin to shift slightly in the high ISO range, shooting RAW gives you the most latitude to correct for this.īest Practices for Maximizing ISO Performance This gives you the neatest noise structure possible, for the easiest cleanup effort and the most pleasing final product. ![]() And because it is a straight sensor readout, it will, by definition, be sharper than a ProRes or XF-AVC file would be. In our blue wall example, Cinema RAW would record every single pixel’s specific blue, ready for you to work with in post. Cannon c 700 commercial full color machine code#
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